![]() ![]() ![]() Using the contained setting to his advantage, Marshall makes the characters’ ceaseless terror as much a special effect as the monsters the vivid performances draw us into the visceral quality of running and crawling from an unstoppable force that no amount of physical dexterity can possibly deter. ![]() But once they do, Marshall turns the slow-build suspense into a rollercoaster, with the survivors attacked from every corner by blind, monstrous humanoids craving blood. In other words, “The Descent” is already a claustrophobic nightmare even before the monsters show up. After a gradual beginning in which coworkers and friends venture into a cave during their weekend gateway in the Appalachian Mountains, the group winds up trapped in an unknown labyrinth and terrified about their prospects of finding an exit. Neil Marshall’s economical monster movie takes place almost exclusively within the confines of a shadowy cave and the terrible, terrible things lurking within it. ![]()
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